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The Marvelous Mrs Maisel Season 2 Ending: Risky, But Vital – Spoilers

[Editor'sNote:Thefollowingarticlecontains spoilers for "The Marvelous Mrs. Maisel "Season 2, including the end.] At first, the final scene in" The Marvelous…

[Editor’sNote:Thefollowingarticlecontains spoilers for “The Marvelous Mrs. Maisel “Season 2, including the end.]

At first, the final scene in” The Marvelous Mrs. Maisel “feels … abrupt. Frustrating. Just shallow. Frightened by a new opportunity that will take her far away from home, and still smarting from a rough string of road gigs, Midge (Rachel Brosnahan) runs back to her husband, Joel (Michael Zegen). “I’m going to be alone for the rest of my life,” she tells him. “And I do not want to be alone, not tonight. Tonight, just for tonight, I really need to be with someone who loves me. “

Joel, ever-ready to do whatever Amy Sherman-Palladino’s story needs of him, crosses the space between them, they kiss, and a quick cut to the credits wraps season 2. Now, there’s nothing wrong with wanting to feel loved. There’s nothing socially regressive about a compassionate, ’50s-style booty call, either, but it’s a bit of a step back for Midge. And that’s the point.

Season 2 makes very clear, sometimes at the expense of the show around her, that Midge is not a perfect character. Hun er ikke en folk hero som reiser gennem tiden for at korrigere den kulturelle fauxpas eller fortiden. Hun har fortsatt å finne ut av den lærte tanken om at ha tre barn før du er 30 år, og det er et mål for en vellykket kvinndom (som hun spesielt noterer som et offer når man talar til Joel). At the end of Season 2, she needs to take a second to accept that she’s already made the choice to lead a different life, where happiness is gauged by different factors, even if she’s teetering on the brink of backsliding.

And that hesitation is where Season 2 can get a bit sticky: It feels like Midge is driven to abandon her dream far too easily. After Midge suffers a few setbacks on her first stand-up tour, culminating with her getting booted from the stage after returning home to New York, she’s fed up with her new profession. “This business sucks. I hate it, “she tells her stalwart manager, Susie (Alex Borstein). “Hey, that’s the game,” Susie says. “You keep fighting.” “You keep fighting,” Midge snaps back. “I’m going to have a drink.”

Alex Borstein in “The Marvelous Mrs. Maisel “

Nicole Rivelli / Amazon

Throughout Season 2, there’s an unacknowledged divide between Midge and Susie: class. Midge is wealthy, unconcerned about money in her pursuit of stardom, while Susie is scratching and crawling to get her client work so she can survive. When Midge plans her vacation to the Catskills, she does not understand that Susie plans to work all summer – who does that? When they prepare to hit the road together, Midge almost throws out Susie’s stuff because it’s not in a suitcase, because Susie does not own a suitcase. “What do you use for vacation?” Midge asks. “My imagination?” Susie replies.

At times, it may feel like “Maisel” blows these disputes because the writers do not care about them. Andre gange, det føles som om de ikke forstår hva det er like å være i Susie’s sko. Still other moments feel like they want to acknowledge them more, if only because they keep bringing them up, but know they can not. “The Marvelous Mrs. Maisel “is a story about upper-class white people, and that perspective drives the narrative. The series would be a stronger drama if it found a way to talk about class disparity – along with race and sexuality – but that could be a less-effective comedy.

What acknowledgements they do make are from Midge’s perspective: Mainly, that’s hard for Midge to move on from who she used to be. When the former housewife faces adversity in her less-cushy new life, and quickly considers giving up, her lack of fortitude stands out – especially when Susie is right there with her what-it-takes attitude serving as sharp contrast. Instinctively, viewers want Midge to be stronger than she is, and it can be disappointing to see this fast-talking, fast-moving, do-it-all women regress. In a show like feel-good as “Maisel”, it’s odd to suddenly be asked to put down your pom-poms and learn from a flaw instead of an attribute.

After all, Midge does not have to ” keep fighting. “All of this is optional for her, and while it’s perfectly fine for the series to recognize that in order to keep the narrative zippy and fun, her stand-up can not feel like a fleeting interest if the audience is going to remain invested in her quest. They have to believe in her passion for stand-up. De har to tro at banen er hennes avenue til en bredere verden og, dermed, et bredere perspektiv. Benjamin (Zachary Levi) – a walking, talking representation of an ideal husband who’s so perfect (and unexamined) he never actually feels real – it diminishes the weight of The show, or at least the part of the show that’s about Midge waking the hell up. After all, a story about a woman recognizing her privilege through her passion is much more gripping than one about a rich lady trying out a new hobby.

Michael Zegen in “The Marvelous Mrs. Maisel “

Nicole Rivelli / Amazon

With all that in mind, the ending feels richer (no pun intended). Midge giving up something that matters to her – some one that matters to her – makes her choice more courageous. She would not give up on the love of her life for a passing desire to tell jokes, but she would give him a call. Maybe she faltered too easily, but that’s who she is; she’s a person or privilege who’s developing a stronger backbone and a broader perspective.

In a recent interview with IndieWire, Brosnahan said as much herself. “People talk about Midge as a feminist hero, but I’ve felt very conflicted about that because I do not actually believe that Midge is a feminist. Yet. She still has a lot of learning to do, and that can be challenging as an actor. Du vil ha henne til å være mere fremfor henne enn hun er, og har øynene åpne større enn de er. Jeg tror at hun kan komme dit, og jeg tror at hun ønsker å. She’s just naive and blinded by her own privilege. “

At the beginning of the season, when she tells Joel she wants to make it work with him, she also says she can not give up on her dream. “Do you want to quit?” Joel asks. “No,” Midge says, knowing that she can not have him and stand-up. At the end of the season, she still knows this to be true – maybe more forcefully than before. Men hun kan ikke resist one more night with him; with the safety he represents; med det gamle livet hun brugte til at leve som frus. Maisel.

Maybe that’s a personal setback. Maybe it’s not. Will Midge be able to embrace the bumps and bruises that come with a less-cushy lifestyle in Season 3? Will she continue to fall back on Joel as a safety net? Will she be so inspired by life on the road, and by her main act Shy Baldwin (LeRoy McClain), that she continues to forget about the wants and wishes of her old self and embraces the new, more well-rounded person she’s becoming?

That’s the hook, and there’s a lot to it – you know, along with all the funny jokes, whip-smart dialogue, and immaculate designs – but one thing’s for sure: We’re far from the shallows now. [19659004] “The Marvelous Mrs. Maisel “Season 2 is streaming now on Amazon Prime.

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