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Does HBO's “My Brilliant Friend” hold Elena Ferrante the feeling?

I also found that the city's boring colors and straight lines underlined the violence that occurs over and over in…

I also found that the city’s boring colors and straight lines underlined the violence that occurs over and over in the two episodes, and every aggressive action takes place at a new stage. What did you think about the violence? Did you find it too heavy-handed?

BARONE Violence felt heavy-handed. I read about the parts of the book that correspond to these first episodes, and Ferrante mentions failures, but serious, just in passing. In the first episode, the attack outside the church against Signor Peluso is prolonged and graphic; On the page it takes no more than a couple of hacking sentences.

STANFORD I think the graphic violence really worked. There was something almost ethereal about the scene where he was thrown against the wall and the girls went out of the church to see. The swollen Max Richter score, the camera work emphasizes how little the girls are, their desire to see this really shocking violence, combined everything to create a moment that was even stronger – I dare say that-than in the book. I also believe that it can be explicitly a symptom of how the show must anticipate normalized violence quite quickly.

SAFRONOVA What I found striking – and this is also really good for the books – is how flagrant the female anger is. You see Lenu mom tell her father not to know how to beat her daughter. You see the happy expression of Imma Solara’s face when she stands outside her family after Don Achille has been murdered. And of course, you see that Melina burns out expletives on Lidia and later throws pots, pans and plants out of the window while laughing.

BARONE Oh yes, shoot off expletives in the piazza. It’s an Italian cliché, but for one reason: The story of my immigrant family is that my grandmother, who stayed in her little Italian town, lived well in the 100’s but died just because she fell out shouting her kitchen window. I appreciate how often Costanzo shows that people do this. You get the impression that the background noise of vocalizing matriarchs is as constant as bird song. It is one of the many details, such as the clear use of local dialect and no more commonly spoken Italian, which makes me optimistic about how the series will build Leno’s and Lilas worlds as they grow older.

STANFORD I could not figure out how striking the two girls are. It seems that they were both partly made for their staring ability: Ludovica Nasti (who plays Lila) has these eyes like glowing orbs and Elisa del Genio (Lenù) has such long eyelashes. There are many long-haired looks that the girls try to figure out around the world, and the actresses were so clever to convey complicated feelings without words, they made the story a bit unnecessary.

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