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Box Office Loves The Grinch and Rock Biopics, but not the Zombie History

Compared to 2017, this week saw $ 10 million in the cash office. However, it is unlikely to keep this…

Compared to 2017, this week saw $ 10 million in the cash office. However, it is unlikely to keep this pace.

There is always room for a familiar meeting at the box office. “The Grinch”, from Universal’s Animated Division Illumination Entertainment, featured two live-action studio releases. This is the fifth adaptation of a Dr Seuss classic for the past 18 years, consisting of the combined gross of World War II zombie film “Overlord” and “The Girl in the Spider’s Web”, the second English-language Lisbeth Salander adjustment, with a margin of 350 percent.

With $ 66 million from “The Grinch”, representing about 40 percent of the weekend’s $ 1

61 million total gross. Compared to last year, it is an improvement of $ 10 million, but the rate will be hard to keep: Last year, “Justice League”, “Coco” and a Star Wars movie were still coming.

“The Grinch”

Photo Credit: Illumination and U

“The Grinch” is the third largest opening of Dr Seuss movies behind live Action Version 2000 and “The Lorax” 2012. The date of release is not necessarily the best for a family movie (but justified by Veterans Day and Thanksgiving just ahead). Coming up, there is great competition, including “Fantastic Beasts: The Grindelwald’s Crime” on November 16 and “Ralph Breaks Internet” a week later. But with its strong debut, an A-Cinemascore, and ahead of the pack, it can see a gross of $ 200 million.

Universal animated movies are massive abroad and usually make 70 percent or more of their business worldwide. It opened in only 12 territories, with most major ones forward. In the UK / Ireland, it began before “Frozen”, “Coco” and “Moana.”

The studio has done a great job to maximize release dates. “The Grinch” became the fourth title of the studio to open at # 1 in the last eight weeks (the others are “The House With a Clock in Its Walls”, “Night School” and “Halloween”).

“Bohemian Rhapsody”

20th Century Fox

“Bohemian Rhapsody” is the real deal, with only 40 percent fall in its second weekend. It has been made $ 100 million in 10 days; Among rock-themed biopics, it’s already the largest. It may become the biggest pop music biopin since “Coal Miner’s Daughter”, possibly exceeding “Straight Outta Compton” and “Walk the Line”. Expect that success will stimulate interest in developing future music biopics or revive those who disappear in turn.


The last time Hollywood combined zombies and history was “Abraham Lincoln: Vampire Hunter” 2012. With one adjusted) opening of $ 18 million and a budget of about $ 75 million, it was not a success. This one who releases zombies into World War II costs $ 38 million, but with a $ 10 million opening the best it can claim is that it was not the worst opener in the week.

It lacked the younger audience a genre movie need; almost seven out of ten ticket buyers were either male and / or over 25. Paramount compares the crowd to Quentin Tarantino’s “The Hateful Eight”, but it was a big disappointment; It could not even handle $ 60 million. The World War hardly hurt Taranto’s former “Inglourious Basterds”, but it had great stars, a strong director and strong reviews.

“The Girl in the Spider Web”

Nadja Klier

It took Sony seven years to continue the Swedish mysteries’ feeling of “The Girl With the Dragon Tattoo. “The previous film featured director David Fincher, a Christmas version, a much higher budget and stars Daniel Craig and Rooney Mara, who received an Oscar nomination. Claire Foy (a rising actress, but not a theatrical drawing), a cast that otherwise is not unknown to Americans, and mediocre to negative reviews.

This is the director Fede Alvarez (“The Evil Dead”). Spread international openings that began last week do not suggest a rescue service abroad. If this franchise continues, it is best to slow down to low budget places. For theaters, the thrill is gone. 19659021] “A Star Is Born”

Warner Bros.

Our forecasts for the “A Star Is Born” store again turned out to be insufficiently optimistic. We expected a decline of 33 percent per weekend; it’s now three weeks in and this weekend’s 27-percent drop is its biggest yet. It’s amazing, and even more impressive as it disappears nearly 600 theaters. It’s now likely to play in good theaters through Thanksgiving, with some that sticks around through Christmas. Final result? It could be $ 225 million.

“The Grinch” made life even harder for the “Nutcracker and the Four Worlds” who saw a nasty 53 percent d ropes (Disney movies like this rarely fall so much). Tyler Perry’s “Nobody’s Fool” also fell more than half and should make about $ 30 million, which would be one of the lowest artists in his highly successful career.

Sony continues to make $ 55 million.

to do well with Marvel’s “Venom”. Week six saw only a decrease of 38 percent, for a total of 206 million dollars. More importantly, China opened to $ 111 million, close to the high part of Marvel Releases there.

Top 10

1. The Grinch (Universal) NEW – Cinemascore: A-; Metacritic: 50; Est. budget: $ 75 million

$ 66 million in 4,141 theaters; PTA (per theater average): $ 15,938,000; Cumulative: $ 66 million

2. Bohemian Rhapsody (20th Century Fox) Week 2; Last weekend: # 1

$ 38,850,000 (-40%) in 4000 theaters (no change); PTA: 7,713 USD Cumulative: $ 100,010,000

3. Overlord (Paramount) NEW – Cinemascore: B; Metacritic: 58; Est. budget: $ 38 million

$ 10,100,000 in 2,859 theaters; PTA: $ 3,533; Cumulative: $

4. Nutcracker and Four Worlds (Disney) Week 2; Last weekend: # 2

$ 9,565,000 (-53%) in 3,766 theaters (no change); PTA: $ 2,540; Cumulative: $ 35,257,000

5. The Spider Web Web (Sony) NY – Cinemascore: B; Metacritic: 44; Est. Budget: $ 43 million

$ 8,015,000 in 2,922 theaters; PTA: $ 2,736; Cumulative: $ 8,015,000

6. One Star is born (Warner Bros.) Week 6; Last weekend: # 4

$ 8,010,000 (-27%) in 2848 theaters (-583); PTA: $ 2 813; Cumulative: $ 178,020,000

7. No one is fooled (Paramount) Week 2; Last weekend: # 3

$ 6,540,000 (-52%) in 2468 theaters (no change); PTA: $ 2 654; Cumulative: $ 24,276,000

8. Venom (Sony) Week 6; Last weekend: # 6

$ 4,850,000 (-38%) in 2,351 theaters (-716); PTA: $ 2,063; Cumulative: $ 206,234,000

9. Halloween (Universal) Week 4; Last weekend: # 9

$ 3,840,000 (-64%) in 2,717 theaters (-1,058); PTA: $ 1,413; Cumulative: $ 156,811,000

10. The Hate U Give (20th Century Fox) Week 6; Last weekend: # 10

$ 2,070,000 (-38%) in 1,108 theaters (-399); PTA: $ 1,868; Cumulative: $ 26,706.00

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